For some time now, intense research has been carried out on elements and codes of literary-verbal communication and the possibilities of amplification and expansion of the limits contained in this dynamic. In the event that it is a person who is not from his family, The word is then presented as a basic element in this process, a platform for action where the manipulation of its form will configure the poetic displacements produced by me. It is not just a matter of exploring writing outside of its conventional register, but of searching for a degree of density of it that is more and more overlapped by the sense of urgency of the times in which we live. I seek to confer corporeal visuality to fragments of texts extracted from poems, ballads, manifestos; As if from this action, the word was effectively "practiced", gaining shape in arrangements that are projected beyond its original support, expanding into symbolic unfoldings whose silent presence is punctuated by a poetic comment about the instances involved. the process of writing and its assimilation. Elements dear to writing -narrative, semantics, syntax of the text- are subverted, expanding in an operation of superimposition and reduction of meanings, in what can be apprehended as a free practice of disassociation between text content and the form of, Word.